As part of London’s Globe Theatre World Shakespeare Festival, Israel’s Habima Theatre will perform The Merchant of Venice in Hebrew on Monday and Tuesday of this week. A Palestinian theatre company from Ramallah has already given a performance of Richard II.
Unfortunately, it seems that so-called pro-Palestinian activists didn’t have much time to take pride in the Palestinian performance, because they have been terribly busy with an unsuccessful campaign to pressure the Globe Theatre into cancelling the Habima performance.
This campaign is part of the broader BDS (Boycott, Divestment and Sanctions) efforts that have targeted Israel for quite some time in the hope to isolate and delegitimize the Jewish state.
While BDS advocates usually like to present themselves as defenders of Palestinian rights who only oppose Israel’s occupation of the West Bank, most of them actually oppose Israel’s right to exist as a Jewish state.
A good example is anti-Israel activist Ben White, about whom I have already repeatedly written (there is also a recently posted list of some of his more openly antisemitic views at Harry’s Place). In April, White penned a piece published in the New Statesman, where he attempted to explain “Why a cultural boycott of Israel is justified.”
White notes in this piece that “a common objection to cultural boycott (or BDS in general) is some version of ‘Why Israel’s musicians and not China’s?’” His response to this question is simple: “Boycott is a strategy, not a principle.”
So here we have it: BDS happens to be a “strategy” that singles out the Jewish State – supposedly because of the occupation of the West Bank, but in reality, as Ben White’s own writings illustrate so well, because activists like him want “a world without Zionism.”
While White himself may be too sophisticated to shout this out loud, many of his fellow-BDS activists are more outspoken. Here is London BDS ranting about the upcoming Habima performance:
“Zionism is a murderous, parasitic political doctrine and what the apartheid Zionist state is doing to Palestinians in Gaza and the West Bank is monstrous. Apartheid Israel is trying to whitewash their crimes by sending cultural representatives to these shores that include the Jerusalem Quartet (disrupted in London and Brighton), The Jerusalem Trio (picketed), the Israel Philharmonic Orchestra (performance ‘enhanced’) and now – Habima.
The Palestinian people are undergoing a slow-motion genocide courtesy of Israel. Their land is being stolen, homes bulldozed and movement controlled. Palestinians who peacefully protest are met in force by Zionist soldiers and settlers who don’t hesitate to shoot on sight – and Israelis who maim or kill Palestinians are rarely punished. Not long ago, Palestinians who had no weapons other than their own bodies went on highly publicised hunger strikes to protest Zionist barbarity.
Zionists in turn are gnashing their teeth and wailing that any disruption is wrong and call those who take action, “cultural terrorists.” That is how the mind of the Zionist thinks; they accuse others of being racists and terrorists, but as their words and actions last Tuesday in support of racist Israeli Foreign Minister Avigdor Lieberman prove, they themselves are the most hateful people imaginable.
Habima’s performance was supported by a few unenlightened has-beens seeking publicity, the most well-known being Maureen Lipman and Howard Jacobson. One has to ask if Lipman and Jacobson, along with their fellow do-gooders, would have supported the Nazi-sponsored Berlin Philharmonic’s concerts in pre-war London or embraced performances funded by the racist apartheid South African government.”
Is there any antisemite out there who wouldn’t whole-heartedly agree with this vicious rant?